Dehua porcelain identification skills:
Staged and broken generation can see the plum shape:
The flower petals in the late Ming and early Qing dynasties are the most flexible
Plum blossom is the most typical of Dehua porcelain decoration. Because the plum blossom theme covers a wide variety of shapes, and the material information is very rich, it can be used as one of the important local features in Dehua white porcelain.
"China Dehua White Porcelain Research" arranged 18 types of plum blossoms. The general rule is that from early to late, the petals are from thin to plump, the performance of the stamens is getting bigger and bigger, the branches are also changing, and the beginning is simple. The latter is more complicated.
In the early Ming Dynasty, the plum blossoms had obvious realism. The petals were mostly thin and narrow, with raised ridges on the upper side. The flowers were only expressed in a point or a small hemisphere style. The branches are simple, and the prototype looks like a single-petaled plum.
In the middle of the Ming Dynasty, the ridges of the plum blossom petals gradually became richer, and the undulations of the petals had different patterns. Even the petals of the hemispheres and the concave petals appeared, from small dots or small hemispheres to obvious hemispheres, flowers. The number increased to three or five, and the branches progressed from one branch to two, and the center of the composition moved to the lower part.
From the end of the Ming Dynasty to the beginning of the Qing Dynasty, the plum blossom petals and the stamens reached the peak. The plum blossoms of this period are the most beautiful, almost all the characteristics of the dehua porcelain plum blossoms, especially the shaping of the stamens, the rhizome and the head are staggered or juxtaposed. The complex heart is a bright spot, and the whole plum blossoming is on the top of the object, which is more vibrant.
Since the middle of the Qing Dynasty, the performance of plum blossoms has become more stylized, and production and creation have been deeply influenced by commercialization. In the late Qing Dynasty, the tendency was more rigid, patterned, and symbolized. The most concrete manifestation was that the flower appeared on the utensils in the form of a cake, completely losing the aura of the original artistic creation.
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