The first color pottery inherits the legacy of Tang Sancai, and absorbs the artistic style of paper-cut and woodcut New Year paintings. In the production of the tread, the first color of the pottery is decorated with two layers of makeup soil, which shows two basic contrast colors: èµ, yellow or èµ, 白 in the process of depicting; on the subject of characterization, divided by flowers, birds and fish in life. In addition to the creation of objects, the insects also draw on the artistic elements of traditional operas and express them in the form of scenes. Lu Shanyi’s "Knife and Horse Man" series is its representative; in the aspect of firing, the first color pottery production is first removed. Tidal, then burnt, the temperature is generally between 700 and 800 degrees Celsius, the finished product is brick red painted pottery, can be glazed after burning, that is, coated with lead, silica, silt glaze and then put into ceramic Within the sputum, gradually increase the temperature to reach 1000 to 1050 degrees Celsius, burn for two days and two nights, and the finished product is the first pottery pottery with red and white flowers.
The first color pottery reflects the peasant's honest and simple character and the great aesthetic appeal, reflecting the aesthetic trend of Chinese folk art advocating nature and pursuing harmony. Such art is well received by domestic and foreign markets, and the Victoria Museum of the United Kingdom has a collection of the first three colors of pottery. The first color pottery is bright and colorful, and is very popular among Europeans. Soon after the founding of the People's Republic of China, many national leaders liked to bring the first pottery to the Soviet Union, Eastern Europe and other countries.
The unique art of the decoration of the first color pottery is composed of many elements. Unconscious applications such as golden rate, spatial processing, layout of pictures, etc., the best combination of multi-element, created the unique artistic personality of the first color pottery. However, the first color pottery is the crystallization of human beings' continuous observation, continuous discovery, continuous refinement and continuous creation in long-term production practice and social life; from simple imitation to comprehensive artistic creation, from occasional discovery to proficiency Master, so repeated practice, inspired, and ruled, summed up the principle of creating beauty. Therefore, the symmetrical beauty, balanced beauty and decorative beauty of the first color pottery are collections of beauty derived from life and rooted in the native. The main material of the first color pottery is taken from the clay layer on both sides of the Weihe River. Therefore, it has the local and ethnic characteristics of the locality, thus forming the “first color pottery†with individuality and unique artistic language.
The shape of the first color pottery is mostly round. According to research, there are two determinants of the circular feature. First, it is derived from the folk customs here. "Tao" has the homonym of "æŽ", and "circle" has the meaning of "reunion and roundness". The combination of the two is a round and round circle. Before the liberation, when the Huaihe River was in the middle of the middle of the Huaihe River, the woman would accompany the marriage of a three-colored pottery altar. The round pottery altar was engraved with peony, plum magpie, lotus carp and other contents. The peony symbolizes wealth and plum blossoms. The eyebrows and the lotus carp have a meaning for more than a year. These popular themes that the public likes and hears reflect the longing for a happy new life. Second, the circular pottery has a larger capacity than other shapes, and is more practical, and the circular pottery is not easily deformed during the firing process.
The shape of the first color pottery, on the basis of the graphics, a large number of scientific and scientific use of the S line, so that the outline of the shape is full of changes; the size of the S-radius on both sides of the façade, the width, the height change, the pottery Capacity and overall beauty play an extremely important role. It can be seen from the examples that the shape of the first color pottery is in line with the golden section method. The circular pottery jars and pottery jars in many of the world's first pottery pots have a ratio of height to diameter of about 6:4; the ratio of the bottom of the three-color pottery tray to the bottom of the disc is also between 6:4, therefore, It has the lowest deformation rate during natural drying and firing.
The first color pottery used more changes and uniform laws of plastic art. The continuous change of the S-shaped line highlights the individual characteristics of the shape, that is, the arc is dominant and the straight line is auxiliary; from the side, the bottom of the jar to the neck is composed of an arc with tension, and the neck to the mouth The Ministry used a little straight line, so obvious contrast, highlighting the distinct personality of its primary and secondary, straight contrast. The curve of the main part (ie, the abdomen of the altar) is expanded to form an expansive shape resembling a circle, which makes the S-line extremely exaggerated and has a full and rich visual effect. The use of the neck line can be said to be just around the corner. The use of these short straight lines plays an irreplaceable role in setting off, making the circle more round, full and full, and enriching the shape and body language, that is, there is straightness in the song, and there is a softness in the soft, avoiding the monotonous and dull shape. The drawbacks. The straight line has only a long and short change, while the arc has the diversity of strength and shape. The organic combination of straight line and arc forms the beauty of unity, coordination, balance and stability of the first color pottery.
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